Film Review - The Wizard of the Kremlin (2026)

The Wizard of the Kremlin stars Paul Dano as Vadim Baranov a Russian TV producer who is recruited in the 1990’s to help Vladimir Putin (Jude Law) rise to power in a post Cold War Russia.

The Wizard of the Kremlin is the kind of movie that feels like catnip for me, a historical drama about a real life figure and the history they create as well as the history we can learn from but this movie while it has some good archival footage simply does not tell that story very well.

Firstly this movie feels so episodic that title cards literally come up on the cinema screen and after a while I started to think that perhaps this should’ve been a streaming series for Netflix or Stan or Prime Video because there you could have taken the time to really dive into the history of post Cold War Russia, the drinking years of Boris Yeltsin (I still remember the news headlines about him as well as shows like the Simpsons making jokes about him) and how someone like Putin could rise to power and hold it with an iron grip because he is a fascinating figure for better or worse.

And Jude Law does a great job as Putin in this movie and I had my doubts about him in that role after seeing the trailer but happily I was wrong, he has the facial expressions down pat and shows off the ruthlessness and the drive of the man very well but sadly he is in so little of the film that he feels like an afterthought and we don’t really see any of the ruthlessness that he in real life is known for apart from a tiny bit towards the end of the film.

Instead we get many scenes of Paul Dano as Vadim talking in a slow voice and very softly and at 2 and a half hours it just feels like it goes on and on and on and I wanted more of Jude Law in the film, Jeffrey Wright and Alicia Vikander are good in their roles but they like Law come and go.

And in the end what should be a thrilling and compelling story with parallels of history running through its veins ends up a dull slog to sit through and there is a far far better movie here waiting to get out.

And so that was the Wizard of the Kremlin and this spell did not work for me, it should be one of my favourites of the year and instead its one of the worst especially with a fascinating person at the heart of this story that ends up feeling sidelined and to the movies detriment, 1 out of 5.

Film Review - The Invite (2026)

The Invite is the new film by Olivia Wilde and she and Seth Rogen play a married couple who are hosting their neighbours (Edward Norton and Penelope Cruz) for a dinner party one night but when people sit around having had too much to eat and drink some dinner parties can go badly wrong.

I was looking forward to this movie because I really like Olivia Wilde as a director, Booksmart in 2019 was a very enjoyable while 2022’s Don’t Worry Darling was well directed and had great visuals but was let down by a bad script that didn’t really commit to its ideas as well as I had hoped but could she get back on form or was Don’t Worry Darling a sign to Worry about her as a director.

Well sadly this movie was a disappointment for me but Wilde’s work once again did not, she is a woman of many talents and does a great job both in front of and behind the camera, the way she uses the camera to frame the characters, make the apartment setting feel lived in and like a character in and of itself is really good and Wilde does a great job with her staging and camerawork as well as playing Angela the hostess who is clearly not happy with how things have gone.

Plus Edward Norton and Penelope Cruz deliver good work as the upstairs neighbours invited to the dinner party and Cruz in particular is really good in her moments as well plua the film has a lot of good laughs in it throughout that made me laugh more than once.

But the big problem for me was that I hated these people, Angela and Joe (Rogen’s character) spend a lot of the movie arguing with each other which is never a good sign when you have guests coming over and all 4 of these people felt like the kind of guests you visit at their dinner party (perhaps Angela and Joe needed the Australian sketch comedy The Late Show’s guide to hosting a dinner party) but after a while (and a few drinks) the whole thing descends into a slanging match between the guests and you just want to leave and go home and that was how I began to felt as the film went on.

What also didn’t help is that Seth Rogen once again plays an insufferable bastard that you just get sick of watching after a while and I just don’t like him as an actor I’m sorry to say, it just feels like he plays the same loser type character who smokes joints over and over again and I just got sick of it as the film went on and when it was over I was happy to leave the cinema.

And so that was the Invite and like Backrooms this was a letdown for me, it has good laughs/good performances and good direction by Wilde but this is one dinner party I was happy to leave, 2 and a half out of 5.

Film Review - Spiderman Brand New Day (2026)

Spiderman Brand New Day is the fourth Marvel Studios/Columbia Pictures Spiderman film and the fourth solo movie with Tom Holland in the role, this story takes place after the events of No Way Home where Peter Parker has been living a lonely life now that the world has forgotten who he is while fighting crime as Spiderman but when a mysterious new enemy emerges just as his powers begin to malfunction he faces a difficult challenge ahead.

Spiderman Brand New Day is a mixed bag for me, don’t get me wrong this isn’t a terrible movie but it also has some big flaws, for me this movie works best when its just a Spiderman movie where Peter has to bear the burden of great power and great responsibility alone and cannot share that burden with others lest they be put in danger and Holland is as good as ever in this role and does the heroic and emotional sides of the character very well, Zendaya has felt wasted as MJ in these movies but this time she is given a proper character arc and some good emotional moments and it feels like a relief that her great talents are given good use here.

The film is also well directed by Destin Daniel Cretton who did Shang Chi in 2021 and was to direct Avengers the Kang Dynasty before that film fell apart and he got this movie instead and one thing I like about his camerawork here is the sense of height when Peter is atop a tall building in NYC as you really feel like your up there with him that high and it looks good on a big cinema screen though during those moments I did think of the recent Insomniac games (the first of which I played and enjoyed doing so.)

But where this movie falls over is in its ties to the broader Marvel universe and for me it took away from that core feeling you should have when watching a Spiderman movie which is that the burden of Peter Parker as a hero is one he can only bear on his own and when there are other heroes in that world for him to share with it takes away a little from that core idea and makes it feel less impactful.

And also some of those characters either get very little to do or I just downright resented them being here in this movie, Mark Ruffalo is great as Dr Banner/The Hulk but he’s in so little of the film it feels like a waste of his great talent and that role could easily have been Dr Curt Connors/The Lizard without changing the storytelling a great deal, Jon Bernthal as Frank Castle/The Punisher is okay but really only serves as a comic relief foil for Peter and that didn’t work well for me.

As for the other 2 characters one of them is in it so little I find myself wondering “why are you here” and the other just made me mad in the cinema primarily because of the road that led to that person being here to begin with.

And lastly I think I’m starting to tire of the shared universe concept for these characters as it makes so tiring to try and follow in terms of the storytelling and the characters, a slog to have to sit down and watch all of these movies and shows so you don’t sit there in a cinema seat feeling lost as to who’s who and where’s where and how did they get here and it also cheapens the stakes of the storytelling and lessens the emotional connection to the characters because nothing bad can really happen to them because they have to be alive for the next film or others can come in and help them share their burden in the case of Spiderman and it makes Peter’s struggle in that role feel weightless.

And so that was Spiderman Brand New Day and it is well directed and the 2 leads are great but if this had been a standalone Spiderman film with no ties to the MCU I would like it a lot more than I do, 2 and a half out of 5.

Film Review - Evil Dead Burn (2026)

Evil Dead Burn is the newest entry in the series and concerns Will (George Pullar) who is killed in a car accident and his family comes together at an old family home to pay their respects but unbeknownst to them evil lurks in this family and their old home so can they prevent being dead before dawn or wind up in a gooey end.

Evil Dead Burn like Evil Dead Rise is great fun in a cinema and gooey groovy fun that put a big smile on my face, during many of the films horror moments I sat there soaking up every blood soaked moment of it and I’m sure it was probably digital blood I was watching but I didn’t really think about that very much and thankfully the cast here are better than they were in Rise where it was meant to be a NYC apartment tower but everyone sounded either Australian or Kiwi.

And speaking of the cast they step up and do good work, Souheila Yacoub makes for an effective horror heroine in Alice who has some dark secrets of her own about Will and I also enjoyed Erroll Shand, Hunter Doohan, Tandy Wright and Luciane Buchanan as the other family members stuck inside the old secluded house.

And so that was Evil Dead Burn and I had a lot of fun with this one and I hope others do too though if your squeamish at the sight of blood maybe sit this one out, 3 and a half out of 5.

Film Review - The Odyssey (2026)

The Odyssey is based off of the book by Homer and concerns the voyage of Odysseus (Matt Damon) as he tries to make it back home to Ithica and his beloved wife Penelope (Anne Hathaway) who is now having to court various suitors including Antinous (Robert Pattinson) meanwhile his son Telemachus (Tom Holland) wants to know more about what happened to him and sets off on his own quest to find out.

The Odyssey was one of my most anticipated movies of the year firstly because of director Christopher Nolan who’s last 3 films (Oppenheimer, Tenet and Dunkirk) have been my favourites of his after his first 2 Batman films and that group of films in particular showed me what a great filmmaker he was after The Dark Knight Rises and Interstellar got swallowed up by the ambition of those films getting away from him but 3 hits in a row can’t guarantee a 4th right.

Well not exactly but that said this is a really enjoyable film and a great time at the cinema for sure and first off this movie is very well crafted, Nolan’s direction is as assured and grand as ever and it’s a real treat to watch him craft a movie and see it unfold in front of you on a big cinema screen, Jennifer Lame’s editing is excellent and Nolan made a great choice hiring her in 2020 to edit Tenet as it really feels like she understands how his directing rhythms work and how to make it feel accessible and understandable to an audience which sometimes hasn’t been the case with Nolan’s films, the production design is top notch as is the costume design by Ellen Mirojnick (that Agamenon armour is superb and reminds me of something out of Batman.)

Oh and Ludwig Gorannson delivers yet another excellent score in this movie, another great hire Nolan brought in on Tenet that like Jennifer Lame in the editing room understands how to make Nolan’s work shine and don’t get me wrong both Lee Smith and Hans Zimmer did good work with Nolan in those roles but Lame and Gorannson have more than earnt their place at his side and I haven’t really missed their work with him since.

And then there is the cast who all deliver excellent work, Damon might be the centre of the film but he only feels like a central piece of a large ensemble and that works really well, Anne Hathaway and John Leguizamo deserve Oscar nominations for their work here as they are very good in their roles (and watching Hathaway in this movie really showed how much she has matured as an actress over the years), Tom Holland delivers great work as Telemachus while Jon Bernthal is a lot of fun as Menelaus and Elliot Page/Lupita Nyong’o/Corey Hawkins/Himesh Patel/Mia Goth/Samantha Morton/Benny Safdie and Charlize Theron make the most of the limited screen time and smaller roles (Page in particular looks like Pattinson’s relative as they both have similar facial structures and jawlines.)

Also this movie has some excellent set piece scenes as well, the Cyclops moment in the trailers looked okay but when you watch that scene in the cinema it turns into a terrifying moment that made me smile as did the scene with the giant metal knights that look like something from Denis Villenueve’s Dune trilogy and aren’t to be messed with lightly, there’s also a moment with food on an island that made me smile a lot and the final act climax is excellent and helps to bring the story to a satisfying end.

But if I do have one complaint about the film it’s that it tends to meander around at times as if the storytelling itself is lost at sea as much as Odysseus and his crew are and at nearly 3 hours in length you do feel it at times but when it all comes together at the end you feel more than satisfied.

And so that was the Odyssey and its not as good as those 5 other Nolan films I’ve mentioned above but this is still a great time in a cinema and a very enjoyable watch, 3 and a half out of 5.

Film Review - Obsession (2026)

Obsession is written and directed by Curry Barker and stars Michael Johnstone as Bear a nervous young man who has a crush on his co-worker Nikki (Inde Navarette) but cannot bring himself to tell her how he really feels about her so one night in a store he buys a One Wish Willow ornament that is said to grant any wish the person wants granted so Bear wishes for Nikki to love him but as the Genie said to Aladdin you can’t make people fall in love with you.

Obsession is a movie I have mixed feelings about, on the positive side the film is well made by Barker who uses the night very effectively to help create a mood of dread and tension throughout the film and the horror moments are very effective especially some of the bed scenes where its so early in the morning the characters should all be sound asleep but it also helps to put Bear and Co on edge the next day like they could snap from a lack of sleep.

And Inde Navarette is fantastic as Nikki, she is asked to a lot of strange stuff in this role especially after the wish is used on her and she excels at all of it from the way she’s dressed as an object of Bear’s desires rather than seeing her for who she really is to the way she talks like a devoted wife with the loving smile that looks creepy at times would and even down to the highly strung out emotional moments of screaming and crying and obsessive behaviour and all of it is simply fantastic to watch, this should be a star making performance.

I also enjoyed Megan Lawless as Sarah, Bear’s co-worker in the music shop who secretly has a crush on Bear but doesn’t tell him.

And that leads into one of the problems I have with this movie, nobody talks to each other about how they really feel about each other, right from the first scene you see Bear talk nervously to a girl in a diner and I sat there thinking “For goodness sake just tell her how you feel, it’s not that hard” and that feeling never really went away for me especially when Nikki is changed by Bear’s wish as she never really felt loved by Bear for who she was but who Bear wanted her to be, an object of sexual desire that he could have all to himself.

And that leads me to Bear as a character, I hated this obnoxious little dweeb that I just sat there thinking as Bear tries to figure out what’s going on that everything that’s happening is all his fault, he didn’t tell Nikki how he really felt about her and when he used his One Wish Willow to make her love him he doesn’t realize for much of the movie that she is doing precisely what he deep down wanted her to do, be his and his alone and his friend Ian (Cooper Tomlinson) isn’t much better either as he comes across as the douchebag friend that says all the wrong things to Bear and I hated watching both of these obnoxious little shitheads.

And lastly the other main problem I had was with Nikki herself, we barely get to know her as a character in the early scenes of the movie before the wish changes her to make the impact of that wish really land properly and the movie I kept thinking about while watching this one was last year’s Companion with Jack Quaid and Sophie Thatcher which also dealt with an insular young man wanting a woman to love him but that film showed how insular and horrible the male lead was and gave the female lead a lot more agency in the story and I wish this movie had more of that.

And so that was Obsession and it’s a mixed bag for me, it’s well made and effective but the storytelling was not as good, 2 and a half out of 5.

Film Review - Backrooms (2026)

Backrooms is based off of the YouTube Videos and stars Chiwetel Ejiofor as Clark who runs the Captain Clark’s Ottoman Empire Furniture Store and has been kicked out of his house in a separation so one night while putting his feet up in the shop he notices a strange power fluctuation and goes to investigate and finds a series of rooms all empty under his shop.

Backrooms for most of its runtime worked pretty well for me and firstly that is because the film has a great premise and setup: The finding of strange empty rooms underneath where you might work or live and the design of these rooms is fantastic as is the camerawork because when Clark and others go to explore it it has an inherent spookiness and danger to it that feels real especially when people take cameras into empty and abandoned buildings which has that very same feel to it.

The film also has some good performances primarily from Ejiofor as Clark and Renate Reinsve as Dr Kline Clark’s therapist who begins to suspect her patient is losing his mind and both do very well in their roles.

But where this film lost me was in its payoff as I sat there in the cinema really intrigued by the setup and premise but I also thought as it went on “This better have a good payoff” and sadly it does not as the climax of the film ties itself up in convoluted answers and story resolutions that make very little sense and aren’t really built up that well that when it was over I thought to myself “That was stupid”

And so that was Backrooms and it’s okay, but I’ve seen better horror films, 2 out of 5.